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double issue 2011
VOL 52.1
CONTENTS
Editors: Drake Stutesman, Paul Cronin, and James Riley
Peter Whitehead Chronology
Peter Whitehead “The Wanderer,” Part 1
Editorial
DOSSIERS
Early Film
Henry Miller
Peter Whitehead: The Slade Years
Peter Whitehead
Early Film Documents,The Theft, 12 min. Film Treatment, 1963
One of the Last FragmentsImages, 12 min. Film Treatment, 1963, Parallelism
from ‘New Formal Structures in the Cinema’
from Notebook 11: Commenced January, 1964
The Perception of Life
James Leo Cahill
Hors d’œuvre / Science, the Short Film, and The Perception of Life
Catherine Zimmer
Peter Whitehead’s The Perception of Life and the Biological Aesthetic
Notes on the Medical Research Council Unit
The Nuffield Foundation Unit for the History of Ideas Documents
The Perception of Life, 1964, précis
The Guardian, review of The Perception of Life, 1964
The Times, review of The Perception of Life, 1964
Wholly Communion
Daniel Kane
Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture
Mark Donnelly
Wholly Communion: Truths, Histories and the Albert Hall Poetry Reading
Wholly Communion Advertisement for Lorrimer book
David Sterritt
Wholly Communion: Scenario, Film, Novelization
Peter Whitehead
Notes on Wholly Communion Filming
Raymond Durgnat
Wholly Communion Review, 1966
Rolling Stones
Victor Coelho
Through the Lens, Darkly: Peter Whitehead and the Rolling Stones
Charlie is My Darling press release
Charlie Is My Darling Review, Variety, 1966
Peter Whitehead
Letters to Andrew Oldham
Two Film Treatments: ‘Proposal’ and Mein Kampf
Writer’s Guild registration
Orpheus Inc., treatment
Robin Bean
Charlie Is My Darling Review, 1966
Whitehead Film Reviews
Peter Whitehead
Film and Filming Reviews, 1966–1969
Tonite Let’s All Make Love in London
Steve Chibnall
Standing in the Shadow: Peter Whitehead, Swinging London’s Insider-Outsider
Kevin M. Flanagan
Whitehead’s London: Pop and the Ascendant Celebrity
Thomas F. Cohen
Other Than Vérité: Sound and Moving Image
In the Rock Music Documentaries of Peter Whitehead
Tonite, New York Film Festival press release
Ray Durgnat
Tonite Let’s All Make Love in London Review, 1968
Tonite Let’s All Make Love in London Review, Variety, 1967
National Film Finance letter on Tonite, 1967
Solicitor letter on Tonite, 1967
Benefit of the Doubt
Michael Chanan
Shooting Star: Peter Whitehead and 1960s documentarys
Peter Whitehead
On In de pen dence/“More Problems than Solutions”
Interview with Peter Whitehead
Jean d’Yvoire
An Excellent Lesson in Partisan Theater, 1968
Nicole Zand
Benefit of the Doubt Review, 1965
Benefit of the Doubt Review, Variety, 1967
Lorrimer
Peter Whitehead
Letters to Lawrence Ferlinghetti, 1965
Lawrence Ferlinghetti
Letters to Peter Whitehead, 1965
Thorold Dickinson
Letter to Peter Whitehead, 1966
Peter Whitehead
Letter to Thorold Dickinson, 1966
Advertisement for Lorrimer Books
Sheridan Morley
Wholly Review, Lorrimer Series Review, 1966
Godard
Nicole Brenez
“The ultimate victims of the Romantic Dream”
Peter Whitehead
Jean- Luc: I Hate You!/Godard Reviews, 1966– 1969
Contract with Godard for Alphaville
The Warsaw Ghetto
Giandomenico Curi
Re-Creating The Gaze: Peter Whitehead’s Cinema and the Films of Others
The Fall
Tina Rivers
From Alienation to Hallucination: Peter Whitehead’s The Fall and the Politics of Perception in the 1960s
Jeremy Varon
After the Fall: Politics, Representation, and the Permanence of Empire in the Cinema of Peter Whitehead
Marjorie Rosen
Peter Whitehead’s The Fall Revisited
New York Film Festival Invitation Letter
Peter Whitehead
Protest and The Fall film treatments
Second Take of Imaginary Narration
Manifesto: Re Self in Film
I Destroy Therefore I Am, 1969
I Dream Therefore I Am. I Doubt Therefore I Film, 2002
John Lyle
The Inner Space Project, 1970
CONTENTS
Edited by Drake Stutesman, Paul Cronin, and James Riley
Peter Whitehead
“The Wanderer,” Part 2
DOSSIERS
Incomplete Projects
Drake Stutesman
Whitehead, Djuna Barnes, and Freud’s Dora: Introduction to Two Treatments
Peter Whitehead
Dora / Cassation
Daddy
Peter Whitehead
Dear Diana, film treatment for Daddy, 1972
Daddy synopsis, 1972
Notes on Daddy
Letter to Niki de Saint Phalle, 1974
Laura Mulvey
Daddy Introduction to Film Screening
Daddy: The Subversive Potential Of An Aesthetic Of Masochism
Molly Haskell
Daddy review, Village Voice, 1973
Daddy revisited
Isabelle Jordan
Cinema and Sovereign Powers: About Daddy, 1974
Joanna Bourke
Peter Whitehead and Niki de Saint Phalle’s Daddy
Fire in the Water
Laura Rascaroli
Burning Passions, Flammable Decade: Cinema, Avant-Garde,
Self and Society in The Fire in the Water(1977)
Peter Whitehead
Requiem for the Sixties, 1974
Archiving Peter Whitehead
William Fowler
Memory Material and Material Memory: the film archive of Peter Whitehead
Peter Whitehead
“The Wanderer,” Part 3
Falcon
Contract, 1975
Patricia Abercrombie-Little
Return of the Hunter, 1988
Peter Whitehead
Oedipus, King of the Falcons
Aurora
Tiresias
“White Clouds,” 1988
Falcon: Image Montage
“The Wanderer,” Part 4
Fiction
James Riley
The Technology of Myth: Peter Whitehead as Novelist
Mark Jones
Sex Spy: Sexuality and the Revolution In Peter Whitehead’s Post-Sixties Works
Jan B. Gordon
The ‘Janus Interface’: A Meditation on the Cosmology of Peter Whitehead
Peter Whitehead
‘Callanish’
Extract from Nora…
Extract from The Risen
Extract from Night trip
Terrorism Considered as One of the Fine Arts
Peter Whitehead
In the Beginning Was the Image . . .
On Terrorism Considered as One of the Fine Arts
James Riley
Peter Whitehead and Terrorism
Peter Whitehead
Extracts from Terrorism Considered as One of the Fine Arts screenplay
Pottery
Peter Whitehead
Going to Pot
Michael O’Brien
Peter Whitehead’s Pottery
Peter Whitehead
Seeing through Stone
double issue 2011
VOL 52.2
Anchor 7

Peter Whitehead
IMAGE MONTAGE
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