spring 2005
VOL 46.1
CONTENTS
Sally Shafto
Myth and Narration in Godard’s Hélas pour moi
Scott MacDonald
Collection/Recollection: An Interview with Matthias Müller
CONTENTS
Christine Becker
Televising Film Stardom in the 1950s
Avi Santo
Between Immigration and Exile: “Russian” Filmmaking in Israel
Miriam Haddu
Love on the Run: Re-mapping the Postmetropolis in Alfonso Cuarón’s Sólo con tu pareja
Lorena Cancela
The Pleasure of Philosophy: An Interview with David Barison on The Ister
DOSSIER
Interview on Irish Media
Noel King
Increasing the Cultural Bandwidth: An Interview with Rod Stoneman
An Interview with Grainne Humphreys
VOL 46.2
fall 2005
DOSSIER
On Cinephilia and Women's Cinema in the 1920's
Rosanna Maule and Catherine Russell
Another Cinephilia: Women’s Cinema in the 1920s
Paula Amad
Objects Become Witnesses: Ève Francis and the Emergence of French Cinephilia and Criticism
Amelie Hastie
Historical Predictions, Contemporary Predilections: Reading Feminist Theory Close Up
Haidee Wasson
Mobilizing the Museum: Film at the Metropolitan Museum of Art in the 1920's
Jennifer Wild
An Artist’s Hands: Stella Simon, Modernist Synthesis, and Narrative Resistance
Tom Gunning
Light, Motion, Cinema!: The Heritage of Loïe Fuller and Germaine Dulac