CONTENTS

Middle-Eastern Media Art

Dorit Naaman, Guest Editor

Editorial 

 

Hamid Naficy 

Making Films with an Accent: Iranian émigré Cinema

 

Walid Ra’ad 

I Have Already Been in the Lake of Fire

 

Azza El-Hassan 

When the Exiled Films Home

 

Haim Bresheeth 

A Symphony of Absence: Borders and liminality in Elia Suleiman’s Chronicle of a Disappearance

 

Molly Hankwitz

Jayce Salloum Interview

 

Viola Shafik 

Class Difference and Subjectivity: Two Egyptian Documentaries

 

Kevin Dwyer 

‘Hidden, Unsaid, Taboo’ In Moroccan Cinema: Abdelkader Lagtaa’s Challenge To Authority

 

Yosefa Loshitzky 

A Tale of Three Cities: Amos Gitai’s Urban Trilogy

 

Tarek Elhaik 

Solitude and Fragments: Introducing the Video Work of Mounir Fatmi

 

Livia Alexander 

Let Me In, Let Me Out, Going Places and Going Back

 

Jane Adas

James Longley Interview

 

Akram Zaatari 

This Day

 

Valentina Vitali-West

Yesim Ustaoglu Interview

 

Deniz Göktürk 

Anyone at Home? Itinerant Identities in European Cinema of the 1990s